Timothy Brock on Restoring Charlie Chaplin’s Sound

Chaplin’s archive does contain the entire, full, orchestrated scores. But Chaplin, as a filmmaker, was making changes all the time, sort of trial and error, and he was that way as a composer as well. He would compose a piece of music, they would make a short score of it and orchestrate it, and he would sit down with the orchestrator and tell him what to do. They’d make a full score, they’d make parts for the forty to sixty musicians, and then they would listen to it, and he’d go, “Hmm, no, I don’t like that, let’s have the oboe do this line instead, on trumpet here . . .” So players were writing stuff down all the time, because he was dictating the changes he was listening to. All of those changes were done on the parts, or on pieces of paper they attached to the parts. I found music for Modern Times on the back of laundry receipts and paper menus and things like that, whatever scraps of paper players could find at the last moment and write down some notes. - Timothy Brock
Read more about the delicate process of restoring Charlie Chaplin’s music in a new interview of Timothy Brock on Criterion’s website.

Michael Chaplin, Kate Guyonvarch (managing director of the Chaplin office) & Eugene Chaplin in front of the Manoir de Ban, the former Chaplin family home
The red carpet leading to the Manoir de Ban for the evening inauguration of Chaplin’s World
Some Chaplin family members, actress Claire Bloom & performer Arturo Brachetti in the Manoir de Ban
The Chaplin’s World ribbon cutting ceremony
Philippe Meylan, Michael Chaplin and Eugene Chaplin at the Chaplin’s World ribbon cutting ceremony
The Chaplin’s World ribbon cutting ceremony
Michael Chaplin, his wife Patricia, and Eugene Chaplin
The press floods Easy Street at the Chaplin’s World inauguration
Colette Aeby worked at the Manoir de Ban as a kitchen girl when she was 16 years old. She has fond memories of Charlie & Oona Chaplin and their children. Here she reminisces with Michael and Eugene Chaplin.
Carole Sandrin (who looks after the Chaplin photographic collection deposited at the Musée de l’Élysée - Lausanne), Tatyana Franck (director of the Musée de l’Élysée) & Cecilia Cenciarelli (head of the Chaplin Project at the Cineteca di Bologna) seem to have found the perfect spot for an impromptu meeting to discuss Chaplin projects…
Carole Sandrin (who looks after the Chaplin photographic collection deposited at the Musée de l’Élysée - Lausanne) caught up in the cogs from Modern Times at Chaplin’s World
Arnold Lozano of the Chaplin office visits a special barber at Chaplin’s World
The cabin from The Gold Rush at Chaplin’s World
The wings Chaplin had made for The Freak on display at Chaplin’s World
View of lake and mountains from the Manoir de Ban, the former Chaplin family home, now Chaplin’s World
The gorgeous bust of Chaplin by Clare Sheridan on display at Chaplin’s World